Meg Tuite’s writing has appeared or is forthcoming in Berkeley Fiction Review, Hawaii Review, Mad Hatter’s Review, Calliope, One, the Journal, Santa Fe Literary Review, Epiphany, 34th Parallel, Boston Literary Magazine, Psychology Today Magazine Blog, Tampa Review, Fast Forward Press, San Francisco Bay Press, Connotation Press, Perceptions Magazine, Valparaiso Literary Review, Elimae, Nervous Breakdown, Necessary Fiction, Epiphany, The Medulla Review, Flashquake, JMWW, Word Riot, Mud Luscious Press, r.kvr.y Magazine, Three Rooms Press, Blue Fifth Review, Inkspill Magazine, Eclectic Flash, Drum Literary Magazine, DOGZPLOT, Metazen, Defenestration, Dot Dot Dash, AwkWord Papercut, Referential Magazine, BluePrint Review, HOUSEFIRE, In Between Altered States, Stone Highway Review, The Smoking Poet, Ishaan Lit Review, The Delinquent, A Baker’s Dozen, The First Cut, Magnolia’s Press, Gargoyle Magazine, Eunoia Review, Marco Polo Magazine, Specter Magazine, Front Porch Review, Red Fez, MiPOesias, Thrice Magazine, Art Faccia, Fwriction Review, Unshod Quills, Moon Milk Literary Review, Whistling Fire, Midway Journal, SLAB Magazine, Monkeybicycle, Thunderclap Magazine, Thumbnail Magazine, Drunk Monkeys, Scissors & Spackle Magazine, Eclectic Eel, NAP Magazine, The Circle Review, A Thousand Shades of Gray, Mad Rush Magazine, The Adroit Journal, Istanbul Literary Review, Foundling Review, Short, Fast & Deadly, Litbomb U.K, The Commonline Journal, Flash Fiction Friday’s Anthology, Estuary: A Confluence of Art & Poetry Anthology, Stripped Anthology, The ‘I’ Word Anthology, Contrary Cats Anthology, Lost in Thought Magazine, Bending Light into Verse Anthology, Poems About the Body: The Living Project Anthology, Exquisite Quartet Anthology, Wilderness House Literary Review, Journal of Microfiction, Crannog Magazine, The Rusty Nail, Bone Orchard Review, Drown in My Own Fears Magazine, Wasn’t That Special Anthology, The Nova Scotia Review, Clutching At Straws, Pithead Chapel, Ferocious Quarterly, Specter Magazine, EgoPhobia Lit Magazine, Luna Station Quarterly, The Toucan, Bursting Plethora, BookEnds Review, Rigor mort.us, Gloom Cupboard, Spilt Milk, Up the Staircase Quarterly, Bartleby Snopes, Journal of Truth & Consequences, Mississippi Crow, Negative Suck, Artistically Declined, Sententia Magazine, Molotov Cocktail, A Bad Penny Review, Full of Crow, 52/250, Pure Slush, Red Ochre Lit, Camel Saloon, Literary Orphans, Word Play Sound, Divine Dirt Quarterly, Prime Number Magazine, Calliope Nerve, Jumping Blue Gods, Ascent Aspirations, Orion Headless, Danse Macabre, 50 to 1 Magazine, Twenty-20 Magazine, 50 Word Stories, 100 Word Story, TrainWrite, Flash Party, Crash, Fiction Collective, A-Minor Magazine, Nothing to Flawnt, Kaffe at Katmandu, Fictionaut, Sleet Magazine, Jersey Devil Press, Apocryphas & Abstractions, Black Words on White Paper, Fractured West, Galleys Online, Midnight Screaming Magazine and Ink Monkey. She has a novel-in-stories, “Domestic Apparition,” available (June, 2011) through San Francisco Bay Press. Her chapbook, “Disparate Pathos,” (Jan, 2012) through Monkey Puzzle Press (Boulder, CO). Her chapbook, Reverberations (July, 2012) through Deadly Chaps Press (New York). The Exquisite Quartet Anthology-2011 edition (co-authored and edited by Meg Tuite and 38 other writers) is available for purchase through lulu and amazon.
She is currently working on a novel and always more stories.
She is the current fiction editor of The Santa Fe Literary Review and Connotation Press. She has a monthly column called “Exquisite Quartet” in Used Furniture Review.